1. On This Day: Larisa Shepitko - The Moscow Times
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Larisa Shepito was an actress, screenwriter and film director who was an integral part of the “new wave” of cinema in the Soviet “Thaw” period in the 1960s.
2. [PDF] Soviet Censorship, Socialist Realism, and the Disappearance of Larisa ...
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3. [PDF] Icons, Landscape, and the Boundaries of Good and Evil Larisa Shepitko's ...
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4. Larisa Shepitko - TSPDT
... Worth (GF-10603). 1927 - ☆ 7th Heaven (GF-933) TR. 1927 - Am Rande der Welt ... Net (GF-17155). 1959 - The Man Who Could Cheat Death (unranked). 1959 ...
They Shoot Pictures, Don't They? is dedicated to the art of motion picture film-making and most specifically to that one particular individual calling the shots from behind the camera - the film director.
5. Two films by Larisa Shepitko - Festival Lumière 2015
Oct 7, 2015 · ... value of commitment and the sense of total submission to the collectivist logic that governed Soviet society. Alongside Kira Mourotova, Elem ...
PostED ON 07.10.2015
6. The History of Cinema. Larisa Shepitko - Piero Scaruffi
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She didn't finish the plot-less philosophical Proshchanie/ Farewell (1982), based on Valentin Rasputin's novel, that was completed by her husband Elem Klimov.
7. Larisa Shepitko - The Movie Database
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From Wikipedia, the free encyclopedia. Larysa Efimovna Shepitko (6 January 1938, Artemivsk, Ukrainian SSR – 2 June 1979, Kalinin Oblast) was a Ukrainian Soviet film director. She went to the All-Union State Institute of Cinematography in Moscow as a student of Olexander Dovzhenko. She was a student of Dovzhenko's for 18 months until he died in 1956. Shepitko graduated from VGIK in 1963 with her prize winning diploma film Heat, made when she was 22 years old. It tells the story of a new farming community in Central Asia during the mid 1950s. Shepitko's next film Wings concerns a much-decorated female fighter pilot of World War II. The pilot, now principal of a vocational college, is out of touch with her daughter and the new generation. The film aroused considerable Soviet press controversy at the time, as films were not meant to depict conflicts between children and parents (Vronskaya, 1972 p 39). Shepitko's third film was You and I (1971). This was her only film in colour. It was favourably received at the Venice Film Festival, but lacked proper public exposure in the Soviet Union. The Ascent (1976) was her last film and the one which garnered the most attention in the West. In it, Shepitko returns to the sufferings of World War II, chronicling the trials and tribulations of a group of partisans in Belarus in the bleak winter of 1942. Two of the partisans are captured by the Nazis and then interrogated by a local collaborator, played by Anatoly Solonitsyn, before one of...
8. Ukraine: More Than Just A News Headline - In Their Own League
Feb 28, 2022 · (I managed to find the film here, the quality is quite poor but it's worth checking out). ... “The Ascent” was Larisa Shepitko's final film before ...
ven attempt to predict what will happen to this beautiful country and it’s brave citizens. Instead, I want to focus on a celebration of Ukrainian cinema and the country’s very talented …
9. Larisa Shepitko Posters - Posteritati Movie Poster Gallery
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Larisa Shepitko Posters at Posteritati, New York. The most authoritative collection of original movie posters from classic Hollywood to contemporary art-house. Shop online or visit our New York gallery. Over 40,000 original movie poster images archived. Est. 1995
10. Larisa Shepitko - Wikidata
Larisa Shepitko. Soviet film director and screenwriter (1938—1979). Larisa ... https://www.acmi.net.au/creators/24731 · educated at · Gerasimov Institute of ...
Soviet film director and screenwriter (1938—1979)
11. View of Interview with Elem Klimov | Kinema: A Journal for Film and ...
It was made as a tribute to the filmmaker Larisa Shepitko. A small film - but one of the most difficult films of my life. Which is your favourite among the ...
12. Larisa Shepitko – Cinema - Queensland Art Gallery
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3 – 31 Jul 2022
13. The Drenching Richness of Andrei Tarkovsky | The New Yorker
Feb 8, 2021 · ... total control. He was born in 1932, into the Moscow intelligentsia ... Larisa Shepitko, perhaps Tarkovsky's most gifted contemporary ...
The Soviet director bestowed a new way of looking at the world. Amid the awe-inspiring imagery, his drift toward nationalist mysticism can take on an ominous tinge.